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One the longest lasting inerests I have had over the years is an enduring passion for anything marine or maritime. From the wee beasties of the undersea world to the sheer might of the Tall Ships and military vessels, but with a soft spot for the older, more classical boats and ships.

Anyone seeking inspiration for creative photographs would be hard-pressed not to find many interesting subjects in, on or around boats, ships, wharves, beaches, lakes and rivers plus the many other variations along the way.

Please browse though these photographs at your leisure and email me with any comments or just plain chatter as you prefer. My main aim in producing these pages is to establish contact with like-minded folk from all around the world

A Beautiful Clinker Hull
Whilst attending a classic boat regatta, I moved in a little closer and concentrated on the lines of these old girls. Some of the newer ones built in the old style are a real treat to see in their resplendant varnish and sweeping sheerlines. Be on the lookout for shape, line and eyecatching details when nosing about these boats.
Nikkormat FT2, 55mm Micro-Nikkor, Polarising filter
This beautifully restored dinghy showed the obvious love and attention it's owner has lavished on it. Once again, I am fascinated by the closer view to fully appreciate the shapes and detail.
Nikkormat FT2, 55mm Micro-Nikkor, polarising filter
White Bows
Dawnwatch
An early start will reap benefits for the keen photographer. Sunrise from the deck of HMAS Kanimbla looking out over the bows of the guided missile destroyer HMAS Hobart to the Brisbane River. I placed my son, Tony to block the worst of the sun and exposed for the river.
Nikon FM2, GN-Nikkor 45mm.
Following on from the shot above, once day had come on strong, HMAS Hobart slipped it's lines to make it's way to sea with us following close behind. Here the fo'c'sle party retrieve the last line and secure the ship for sea.
Nikon FM2, Nikkor 105mm
The Last Link.
Variations in Shipping
Offshore on a very quiet day (Thank goodness) I was intrigued with the contrast in both lighting and size of vessel here as Hobart races past a small yacht at a reasonable turn of speed. A clear photo with few distractions helps to focus the eye on the subject.
Nikon FM2, Nikkor 200mm lens
The soft colours of this sunset as we make our way down the coast show the ship in silhouette against a lovely calm Pacific Ocean. Various effects can be realised by exposing for different parts of the picture when faced with a good sunset, so use film and adjust the settings, particularly if you cannot get back again as happened here.
Nikon FM2, Nikkor 105mm lens
Sunset Over Hobart (The ship)
Another Bow Shot
Another close bow shot but in a very different material. The sleek lines of a warship at speed are quite a change from the "domestic" ferries, etc. that we are used to seeing. Playing games with the Navy involves some very close quarters maneouvres indeed!
Nikon FM2, 105mm lens
The late afternoon produces very warm toned light which can used to advantage in certain photographs. Here the strong contrast gives a little bite and the warmth of the evening sunshine adds a cosy glow to the scene.
Nikkormat FT2, Micro-Nikkor 55mm lens, 200ISO Fuji film.
Evening Rest
The very large machines of war can be a challenge to photograph with any amount of creativity due to their enormous size, but if you move around and come in close, you can be rewarded with a different perspective. The two crew members give a much needed sense of scale to the shot and add a little human interest.
Nikkormat FT2, Micro-Nikkor 55mm lens, 1/125sec @ f8
Up early again and down to the Brisbane River to await the start of the commuter traffic. The very first ferry to come along gave me this shot as it quietly disturbed the calm waters for the first time that day. After that, the water was never the same.
Nikkormat FT2, Nikkor 200mm, 1/125th @ f8, Fuji 200
The Morning Wake

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All photographs used in this site are copyright 2000 Colin Sheehan