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Sutcliffe Gallery AustraliaFrank Meadow Sutcliffe

Gallery Three of the Work of Frank Meadow Sutcliffe of Whitby

A third splendid display of brilliant photography in the collection from Frank Sutcliffe.

To add some of these outstanding sepia, duotone lithographic prints to your personal collection, please note the catalogue numbers and proceed to the Order Page.

WARNING!

Sutcliffe Photograph collecting, like all fine art objects, can be addictive.

Note that the images shown on this site do not approach the incredible sharpness and quality of the final print available to you when you order these very collectable and historic prints.

'Fishermen by the Harbour Rail'

'Fishermen by the Harbour Rail'; Catalogue No.23:
A very powerful composition which fully justifies close inspection.
An object lesson in how to arrange a 'straight' line of figures. More familiar faces: Henry Freeman, sole survivor of Whitby's tragic 1861 lifeboat disaster (third from left) and John Batchelor (sixth from left) appear in other of Sutcliffe's photographs. Here he gives us another object lesson in how to arrange subjects so as to result in a far from monotonous picture.

Available in small (114 x 152mm)
'A Bit of News'
 'A Bit of News'; Catalogue No.25:
A wonderfully human assemblage of interesting subjects here. Taken in Cliff Street, Robin Hood's Bay. The village at this time was a tightly knit fishing community where retired mariners could live out the rest of their lives in an environment still ruled by the sea. In this photograph, circa 1884, Harrison Alison, reputed to have been the only literate member of the group, is reading to Tommy Baxter, Mary Emmerson who lived at the Almshouses and Lumar William Storr.

Available in small (114 x 152mm)
'Quayside Fishstall'

'Quayside Fishstall' Catalogue No.27
The bucket dredger 'Sampson' is in the background at left. Taken on the New Quay, Whitby circa 1880. A skilfully posed group giving an impression of absolute spontaneity.

Available in small (114 x 152mm) and medium (210 x 276mm).


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